Vol. 12 (2022): Feminism, Theory, Film: Critical Intersections in the Practice and Theorization of Experimental Filmmaking since the 1970s

This issue was edited by Sonja Boos.

Published: 2022-05-16

Introduction

• Feminism, Theory, Film: Critical Intersections in the Practice and Theorization of Experimental Filmmaking since the 1970s

  Sonja Boos

  1-12

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Articles

• Julia Lesage: “I was never anything less than the person I am.” An Interview with the Author, Editor, and Filmmaker Julia Lesage

  Sonja Boos

  12-23

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• From Acting to Action: Delphine Seyrig, Les Insoumuses, and Feminist Video in 1970s France

  Giovanna Zapperi

  24-46

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• The Aesthetic Hyper-Object in Experimental Short Film Practices: Lina Sieckmann and Miriam Gossing’s Art Documentaries

  Dorothee Ostmeier

  47-72

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• Film Spaces, Memory Traces: The Family House in Recha Jungman’s Etwas tut weh (1979)

  Annette Brauerhoch

  73-95

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• Poetics of Cross-Cultural Relation: Critical Performances by Artists kate-hers RHEE and Patty Chang

  Jenny Lin

  96-127

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Review Essays

• Genevieve Yue, Girl Head: Feminism and Film Materiality. Fordham University Press, 2020.

  Ying Sze Pek

  128-133

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• "Lucy Reynolds, Women Artists, Feminism, and the Moving Image"

  Jillian Vasko

  134-141

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