The Aesthetic Hyper-Object in Experimental Short Film Practices: Lina Sieckmann and Miriam Gossing’s Art Documentaries

Authors

  • Dorothee Ostmeier University of Oregon

DOI:

https://doi.org/10.5399/uo/konturen.12.0.4915

Abstract

Short experimental films by the German female director duo Lina Sieckmann und Miriam Gossing put domestic environments on cinematic display in new and challenging ways. The essay discusses the links between the films’ documentary agendas, surreal visual montages, and poetic feminine voice-overs. Selected films are placed into dialogues with Michael Renov’s concept of aesthetics in documentary film and Timothy Morton’s notion of the “hyperobject.” This theoretical framework highlights the tensions between the films’ powerful aesthetics and feminine queer desire as they decenter socially ingrained dualisms.

Author Biography

Dorothee Ostmeier, University of Oregon

Dorothee Ostmeier is Professor of German, Folklore and Public Culture and Head of Theater Arts at the University of Oregon. She is the author of monographs on postwar Jewish language philosophy in dramas of Nelly Sachs, and on Gender/Sex Debates in the early 20th century. She also edited the volumes “Brecht, Marxism, Ethics” for The Brecht Yearbook (2010) and Poetic Materialities: Semiotics of Johann Wolfgang Goethe’s “Wanderer’s Nachtlied” and “Ein Gleiches.” COLLATERAL – Online Journal for Cross-Cultural Close Reading, Fall 2017.Her current research project Portals and Shapeshifters in Gothic Fantasies to Postmodern Digital Culture” focuses on fantasy’s stakes in crossing the borders between reality, fiction, and virtuality.

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Published

2022-04-28

How to Cite

Ostmeier, D. (2022). The Aesthetic Hyper-Object in Experimental Short Film Practices: Lina Sieckmann and Miriam Gossing’s Art Documentaries. Konturen, 12, 47–72. https://doi.org/10.5399/uo/konturen.12.0.4915